#Mooshika vahana bharatanatyam song skin#
#Mooshika vahana bharatanatyam song full#

Then another paragraph and a half from some unknown chapter, and then it prints half of chapter 3 and 4, then finally on page 13 the full chapter 3 starts and continues thereafter in order up to the end of chapter 20. There would appear to be no chapter 1 or 2. It begins with the forward, then a paragraph and a half of chapter three, then a page of chapter 4 and then the contents page that begins at chapter 6 and ends with chapter 17, thereby missing out chapters 3,4,5,18,19 and 20. However, there are certainly some major downfalls. Beyond that, he is capable of creating, preserving as well as destroying anything and helping mortals achieve salvation through him.Generally speaking I like this book a lot, I think it has a wealth of information in a compact little book. That is why we bow to this Supreme God, who exists everywhere, speaks everything, wears everything and holds all emotions within him.

Moksha or salvation can also be achieved through him.

Tirobhava, or the power of illusion also emanates from him.

He is capable of Samhaar or destruction.Sthiti or the power of protection and preservation lies within him.He holds the power of Srishti or the creation himself.Thus, the Tandava incarnation of Shiva not only represents the four main abhinaya aspects of dance, which we have discussed in details earlier, ie, Angikam abhinaya, vaachikam abhinaya, Aaharyam abhinaya and sattwika abhinaya, but it also represents in a holistic perspective his Panchakriya Shakti, or the five- fold power.

#Mooshika vahana bharatanatyam song skin#

He wears the elephant skin and bells on his shanks вЂ“ this depicts heroism. The Left foot in kunchita pada represents Moksha, ie, salvation and benevolence. And Shiva is the conqueror of all these evils. The right foot in sthitapada has the demon Muyalaka representing old age, death, ignorance. The other left hand held as dola hasta represents Anugraha or benevolence. The upper left hand holds fire depicting Samhaar or destruction and revolution. The uplifted hand represents Sthiti or preservation and protection. Of his four hands, the one holding the damaru represents Srishti or creation. The sacred thread signifies purity empowering him to perform all auspicious deeds. His snake represents the вЂњKundalini ShaktiвЂќ. He is the Ardhanareeshwar, his right ear holds the manвЂ™s jewel and left ear, a womanвЂ™s jewel. His eyes represent the sun and moon, the third eye represents knowledge and that is where we put the tilakam. Through Ganga, he represents prosperity and through the crescent moon, benevolence. Simple, unassuming, yet so powerful, that he is also known as the Lord of destruction. He is so close to humans through his human like form and yet his magnanimous presence supersedes mortal limitations such as controlling the angry river Ganga knotted through his matted locks of hair. His ornaments are as simple as the snake around his neck and the leopard skin cloth around his waist, to the magnificent moon and stars.

There are no barriers that can stop him from conversing in the universal language of dance and that is why all sound comes from him. Through this shloka, the existence of Lord Shiva is immortalised by his being, transcending space as well as time. Such is his magnified presence that we bow to him in reverence. His ornaments are none other than the moon and stars, celestial objects of space which we can only see and not even reach. His speech embodies all languages known to mankind and even all sounds that man has and could ever hear. Here Shiva is depicted as the Omnipotent Lord of dance whose body or movements cover everything that is the space around us and beyond that. Hence, the above shloka means вЂ¦ We bow to that Lord Shiva, whose body is the whole Universe, whose speech is the entire worldвЂ™s languages and whose ornaments are the moon stars etc. Let us simply understand the meaning of this shloka word by word before going onto its deeper meaning. The famous Dhyaan Shloka in Praise if Lord Shiva, the Lord of Dance is: Today we try to understand an often played Shloka in praise of Shiva, the Lord of Dance. As such there are many items dedicated to Lord Shiva, be it as a Kautubh, a Varnam or a Padam. In the Bharatnatyam dance form there exists a rich tradition of devotional pieces in praise of many God and Goddesses of the Hindu religion and mythology.